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Chaya Czernowin (1957-)

Komponistin

Name	Chaya Czernowin
Zeit	1957- (Lebensdaten)
Ort	Haifa (Geburtsort) San Diego, Calif. (Wirkungsort) Israel USA Japan Deutschland
Geschlecht	weiblich
Beruf	Komponistin (charakteristischer Beruf) Librettistin
Beziehung	Kerry L. Hagan (berufliche Beziehung)
Themengebiet	Personen zu Musik
Weitere Angaben	lebt seit 1982 in Deutschland, Japan und den USA, lehrt seit 1997 in den USA
Quelle	LCAuth MGG online NG online (mit Werkauswahl) KdG online MCN 1997 Homepage: http://chayaczernowin.com (Stand: 23.08.2013)
Datensatztyp	Person
GND-Nummer	135061229
Datensatz-ID	135061229
Beteiligt an alle anzeigen Adiantum capillus-veneris (I), Maidenhair fern (I) : etude in fragility = Adiantum capillus-veneris (I), Frauenhaarfarn (I) : Studie zur Fragilität Black flowers : for electric guitar : (2018) Hidden Irrational : for baritone, bass clarinet, trumpet and trombone Unhistoric acts : (Vena, part II) : for mixed 24 voices choir and string quartet : (2021) Guardian : for violoncello and orchestra : (2017) Guardian : for violoncello solo and orchestra : (2017) Hidden Infinite now : opera in 6 acts : (2015-2016) On the face of the deep : BERESHIT (Genesis): Day one : for large ensemble : (2017) Zai͏̈de/Adama : Fragments (1779/2004-2005) Ayre: Towed : through plumes, thicket, asphalt, sawdust and hazardous air I shall not forget the sound of ; (2015) Duo leat : for two bass clarinets in Bb ; (2009-2010) = (Slow duo) For violin solo : (1981) For violin solo : (1981/transposed 2015) For violin solo : (1981/transposed 2015) Knights of the strange : duo version for electric guitar and accordion : (2015) The quiet : works for orchestra While liquid amber : (2000) Adiantum capillus-veneris : (I) ; etude in fragility ; for voice and breath (ad lib. amplified) = Maidenhair fern = Frauenhaarfarn Knights of the strange : tutti version for ensemble ; (2014) Once I blinked nothing was the same : a large scale miniature for orchestra ; (2015) FardanceCLOSE : for piano ; (2012) Hidden : for string quartet and electronics ; (2013 - 2014) Winter songs : version IV: wounds/mistletoe : for two septets and three percussionists : (2014) Winter songs : version V: forgotten light : for two septets and octet with two singers : (2014) At the fringe of our gaze : for orchestra and concertino group : (2012/13) Lakes : (Slow summer stay II) ; for 8 players ; (2012) Rega echad, sheket bevakasha : for choir and orchestra ; (2012) = Just a moment, silence please The last leaf : for oboe ; (2010) The last leaf : for sopranino saxophone ; (2010/2012) Upstream : (Slow summer stay III) ; for 16 players ; (2012) White wind waiting : for guitar and orchestra ; (2013) Esh : for orchestra with countertenor ; (2012) = Fire Algae : monodrama for bass and piano ; (2009) Shifting gravity Winter songs, no. 3 Zohar iver : for ensemble and orchestra divided into three groups ; (2011) = Blind radiance Lovesong : for mixed ensemble ; (2010) String quartet : (1995) = Streichquartett The quiet : for large orchestra divided into three groups ; (2010) Anea crystal : two string quartets (Seed I, Seed II) and an octet (Anea) ; (2008) ; from the series Shifting gravity Sahaf : for saxophone (sopranino/bartione) or clarinet (clarinet in Eb/bass clarinet), electric guitar, piano and percussion ; (2008) ; from the series Shifting gravity = Drift = Gestöber Maim : triptychon for a large orchestra, a quintet of soloists with tubax as a main soloist and electronics Pilgerfahrten : für Sprecher, Knabenchor und 20 Instrumentalisten ; (2006/rev. 2007) Pilgerfahrten : für Knabenchor und 20 Instrumentalisten ; (2006) Excavated dialogues : fragments ; for a mixed ensemble of Eastern and Western instruments ; (2003) Winter songs, version 2 : Stones ; for amplified bass flute, bass clarinet, bass trombonetuba, viola, violoncello, double bass and three amplified percussionists ; (2002 - 2003) Dam sheon hachol = The hour glass bleeds still Maim. Maim zarim maim gnuvim Winter songs, version 1 : Pending light ; for live electronics and ensemble ; (2002 - 2003) Maim zarim, maim gnuvim : for a large orchestra, tubax live and recorded and a quintet of soloists (oboe (musette, English horn), tubax, electric guitar, piano, viola) ; 0ct. 2001 - May 2002 = Strange water, stolen water Six miniatures and a simultaneous song : for a self conducted trio: non operatic female voice, guitar, viola, coordinated with a conducted quartet: bass flute, bass clarinet, alto saxophone and cello, both groups are amplified, für ein selbstdirigiertes Trio: nicht-opernhafte Frauenstimme, Gitarre und Viola, koordiniert mit einem dirigierten Quartett: Bassflöte, Bassklarinette, Altsaxophon und Cello, beide Ensembles werden akustisch verstärkt ; (1998) Die Kreuzung Afatsim : für gemischtes Ensemble (1996) Amber : für großes Orchester (1993) Ayre: Towed, trough plumes, thicket, asphalt, sawdust and hazardous air, I shall not forget the sound of (2015) Esh : for orchestra with countertenor (2012) = Fire Excavated dialogues : for a mixed ensemble of modern and renaissance/baroque instruments Excavated dialogues : fragments for mixed ensemble of Eastern and Western instruments (2003)

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Katalog der Deutschen Nationalbibliothek

Chaya Czernowin (1957-)

Adiantum capillus-veneris (I), Maidenhair fern (I) : etude in fragility = Adiantum capillus-veneris (I), Frauenhaarfarn (I) : Studie zur Fragilität

Black flowers : for electric guitar : (2018)

Hidden

Irrational : for baritone, bass clarinet, trumpet and trombone

Unhistoric acts : (Vena, part II) : for mixed 24 voices choir and string quartet : (2021)

Guardian : for violoncello and orchestra : (2017)

Guardian : for violoncello solo and orchestra : (2017)

Hidden

Infinite now : opera in 6 acts : (2015-2016)

On the face of the deep : BERESHIT (Genesis): Day one : for large ensemble : (2017)

Zai͏̈de/Adama : Fragments (1779/2004-2005)

Ayre: Towed : through plumes, thicket, asphalt, sawdust and hazardous air I shall not forget the sound of ; (2015)

Duo leat : for two bass clarinets in Bb ; (2009-2010) = (Slow duo)

For violin solo : (1981)

For violin solo : (1981/transposed 2015)

For violin solo : (1981/transposed 2015)

Knights of the strange : duo version for electric guitar and accordion : (2015)

The quiet : works for orchestra

While liquid amber : (2000)

Adiantum capillus-veneris : (I) ; etude in fragility ; for voice and breath (ad lib. amplified) = Maidenhair fern = Frauenhaarfarn

Knights of the strange : tutti version for ensemble ; (2014)

Once I blinked nothing was the same : a large scale miniature for orchestra ; (2015)

FardanceCLOSE : for piano ; (2012)

Hidden : for string quartet and electronics ; (2013 - 2014)

Winter songs : version IV: wounds/mistletoe : for two septets and three percussionists : (2014)

Winter songs : version V: forgotten light : for two septets and octet with two singers : (2014)

At the fringe of our gaze : for orchestra and concertino group : (2012/13)

Lakes : (Slow summer stay II) ; for 8 players ; (2012)

Rega echad, sheket bevakasha : for choir and orchestra ; (2012) = Just a moment, silence please

The last leaf : for oboe ; (2010)

The last leaf : for sopranino saxophone ; (2010/2012)

Upstream : (Slow summer stay III) ; for 16 players ; (2012)

White wind waiting : for guitar and orchestra ; (2013)

Esh : for orchestra with countertenor ; (2012) = Fire

Algae : monodrama for bass and piano ; (2009)

Shifting gravity

Winter songs, no. 3

Zohar iver : for ensemble and orchestra divided into three groups ; (2011) = Blind radiance

Lovesong : for mixed ensemble ; (2010)

String quartet : (1995) = Streichquartett

The quiet : for large orchestra divided into three groups ; (2010)

Anea crystal : two string quartets (Seed I, Seed II) and an octet (Anea) ; (2008) ; from the series Shifting gravity

Sahaf : for saxophone (sopranino/bartione) or clarinet (clarinet in Eb/bass clarinet), electric guitar, piano and percussion ; (2008) ; from the series Shifting gravity = Drift = Gestöber

Maim : triptychon for a large orchestra, a quintet of soloists with tubax as a main soloist and electronics

Pilgerfahrten : für Sprecher, Knabenchor und 20 Instrumentalisten ; (2006/rev. 2007)

Pilgerfahrten : für Knabenchor und 20 Instrumentalisten ; (2006)

Excavated dialogues : fragments ; for a mixed ensemble of Eastern and Western instruments ; (2003)

Winter songs, version 2 : Stones ; for amplified bass flute, bass clarinet, bass trombonetuba, viola, violoncello, double bass and three amplified percussionists ; (2002 - 2003)

Dam sheon hachol = The hour glass bleeds still

Maim. Maim zarim maim gnuvim

Winter songs, version 1 : Pending light ; for live electronics and ensemble ; (2002 - 2003)

Maim zarim, maim gnuvim : for a large orchestra, tubax live and recorded and a quintet of soloists (oboe (musette, English horn), tubax, electric guitar, piano, viola) ; 0ct. 2001 - May 2002 = Strange water, stolen water

Die Kreuzung

Afatsim : für gemischtes Ensemble (1996)

Amber : für großes Orchester (1993)

Ayre: Towed, trough plumes, thicket, asphalt, sawdust and hazardous air, I shall not forget the sound of (2015)

Esh : for orchestra with countertenor (2012) = Fire

Excavated dialogues : for a mixed ensemble of modern and renaissance/baroque instruments

Excavated dialogues : fragments for mixed ensemble of Eastern and Western instruments (2003)