Title |
Contemporary Italian Youth Television / edited by Luca Barra, Danielle Hipkins, Catherine O'Rawe, Dana Renga |
|---|---|
Involved |
Luca Barra (Herausgeber) |
Published |
Cham: Springer Nature Switzerland, Imprint: Palgrave Macmillan |
Edition |
1st ed. 2026 |
Extent |
Online-Ressource, XXIII, 374 p. 1 illus. : online resource. |
Contains |
Chapter 01: Introduction: Bringing Youth into Contemporary Italian Television -- Section 1: Trends -- Chapter 02: From Tre metri sopra il cielo to Summertime: The Evolution of the “filone giovanilistico” Through Time and Screens -- Chapter 03: Fashioning Identity in Contemporary Italian Youth Television Series -- Chapter 04: “Talkin’ ‘bout my Generation” The Role of Music in Italian Youth Television Series -- Chapter 05: “Teen” Sense of Place: The Representation of Italian Locations in Teen Television Series -- Chapter 06: Not Another Teen Drama: Rai, Platformization, and New Representations of Teenagers -- Chapter 07: Rai Fiction Teen Series for Mainstream Channels: Programming and Production -- Chapter 08: “Ma che stai dicendo?” A Linguistic Overview of Teen Representation in Italian Television Series -- Chapter 09: Baby... One More Time: Netflix Italia’s Original First Teen Dramas and the Struggle to Build a New Genre -- Chapter 10: A Girls’ Eye-view: Exploring Television Representations of Italian Girlhood through the Lens of Italian Female Adolescence -- Section 2: Texts -- Chapter 11: Queer Identifications, Activism, and Desire in SKAM Italia -- Chapter 12: “Vedo che siamo moderni, eh?” Representations of Social Media Use in SKAM Italia -- Chapter 13: Musica, Maestro! Notes on La Compagnia del Cigno’s Teen Cast -- Chapter 14: “Is This Italian TV?” How My Brilliant Friend Has Attained Success in Mainland China -- Chapter 15: Casa Surace’s Engagement with Southern Youth and National Success Amongst Young Italians -- Chapter 16: The Transmedia Universe of Mare Fuori -- Section 3: Close-ups -- Chapter 17: Male Bonding and Narrative Afterlives in Suburra: Blood on Rome -- Chapter 18: Incredible Casting: My Brilliant Friend -- Chapter 19: The Horrors of History in Netflix’s Curon -- Chapter 20: The Beach in Summertime -- Chapter 21: Wrecking the Lagoon: Reading Waste in We Are Who We Are’s Queer Adolescence -- Chapter 22: We Are Who We Are or Queerness as Atmospheric -- Chapter 23: Visualising the Invisible: Zero and Afro-Italian Urban Utopias -- Chapter 24: A Tale of Three Teenagers and a City: Romulus, or the Foundation of Rome According to Sky Italia -- Chapter 25: The Pathos of Transnationalism: Exploring the Tourist Gaze in Anna -- Chapter 26: Generazione 56K: Nostalgia as a Way to Convergence Media Practices -- Chapter 27: An Astrological Guide for Broken Hearts, or Emily in Paris in Turin -- Chapter 28: Luna Park: La dolce vita and Retro History -- Chapter 29: Coming of Age in Naples in The Lying Life of Adults -- Chapter 30: Prisma: Building a Game of Mirrors -- Chapter 31: Teens in Prison: Control and Redemption in Mare fuori -- Section 4: Interview -- Chapter 32: Putting Your Own Stamp on the Writing of Others: A Conversation with Ivan Silvestrini, Director of Mare Fuori -- Chapter 33: Youth Culture, Diversity, and Italianness on Television: An Interview with Ludovico Bessegato -- Chapter 34: Desperately Seeking Diversity: Challenges and Breakthroughs in the Casting of Netflix’s Zero -- Chapter 35: “Indeed there is magic in casting”: An Interview with Sara Casani and Laura Muccino |
ISBN |
978-3-031-98064-0 |
Language |
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Country |
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Topic |
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Subject |
European Film and TV. |
DDC notation |
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Persistent identifier |
urn:nbn:de:101:1-2511170305508.108787967675 (URN) |
Record ID |
1381753841 |
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